D5400 LB/WLM Double Bass – Live Mic. for Wireless Systems
The REMIC D5400 LB/WLM supplied with a TA5M connector allows you to connect the REMIC microphone via a variety of adapters to selected SHURE and SENNHEISER wireless transmitters which enables you to gain maximum flexibility to move around on stage during live productions.
It also enabels you to connect the D5400 LB/WLM to a standard XLR wired connection.
Due to the fact that most beltpack wireless transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES have been designed to support wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.
The D5400 LB/WLM is based on the same principle as the D5400 LB live model, but is supplied with a different connector – the TA5M multi connector, which allows you to connect your D5400 LB/WLM microphone to a variety of adapters for Shure and Sennheiser wireless systems as well as the standard XLR.
In order to connect to the wireless transmitters, you need to purchase the correct adaptor that lets you connect to one of the following wireless transmitter systems:
REMIC ADAPTERS AND SUPPORTED WIRELESS SYSTEMS:
RAD 001 | adapter for XLR 48 volt phantom, REMIC studio/live models
RAD 001LB (adapter for XLR 48 volt phantom, REMIC loud live LB models) (RAD001LB is included when you buy a C5300 LB/WLM microphone)
RAD 003 | TRS 3.5 connector
For Remic studio/live and Live mic to Sennheiser EW-series.
SK100G3/G4, SK300G3/G4, SK500G3/G4, Transmitter module 3.5 TRS w/screw lock connector.
RAD 006 | TA4 connector
For Remic studio/live and Live to SHURE with TA4F connector.
FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M, AD1)
Transmitter module with TA4M connector.
RAD 010 | LEMO-3 connector
For Remic studio/live and live microphones to SHURE (UR1M, AD1) and SENNHEISER (SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000) Transmitter modules with LEMO3 connector.
Please note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.
MORE ABOUT THE D5400 LB/WLM MODEL:
The REMIC D5400 LB/WLM microphone model is based on the same principle as the normal REMIC D5400 LB Live model, only with a different connector and adapted for lower voltage.
The REMIC D5400 LB/WLM Live model is designed for extremely loud live productions and delivers a natural, but more “dry” and “woodish” sound response in comparison to the “Studio/Live” model.
The “LB” model represents the highest suppression of ambient sound sources ever achieved by a condenser microphone.
So if you need a microphone with low acoustic feedback response, the REMIC D5400 LB/WLM for wireless systems is the answer.
At the same time, the microphone will maintain the aesthetic appearance of the instrument towards your audience, since there is no clamps and clips in order to mount and hold the microphone.
With Built-In Windshield
The built-in windshield is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield option, you do not need to add any other windshields to your microphone. The built-in windshield will not change the quality of the microphone in other performance contexts.
How to mount your REMIC Double Bass Microphone
Any publication of REMIC MICROPHONES on this website may include technical inaccuracies or typografical erros. Changes may frequently be made to these publications
All products and publications of REMIC MICROPHONES are subject to change without notice.
All products of REMIC MICROPHONES including designs, technical functionality and placement of function is protected, unauthorized reproduction or distribution of these products or parts thereof is considered as unlawful, which we may act upon.