# REMIC Audio: Applied acoustic solutions > REMIC Audio specializes in high definition Instrument Specific Microphones for acoustic instruments\. Designed and handcrafted in Denmark\. Generated by Yoast SEO v28.1, this is an llms.txt file, meant for consumption by LLMs. ## Pages - [Artists](https://remic.dk/artists/) - [News and product updates](https://remic.dk/news-and-updates/) - [Home](https://remic.dk/) - [Sound Engineers](https://remic.dk/sound-engineers/) - [About Us](https://remic.dk/about-us/) ## Posts - [Take control of your signature sound \- anywhere](https://remic.dk/news/take-control-of-your-signature-sound-anywhere/) - [Selection of REMIC LB Live microphones for OneRepublic](https://remic.dk/news/onerepublic/) - [Reliable and good sound at all times](https://remic.dk/news/reliable-and-good-sound-at-all-times/) - [Colorado Symphony: "We use REMICs on all string instruments\."](https://remic.dk/news/remics-on-all-strings-in-the-coloradosymphony-orchestra/) - [RAYE touring with REMIC string mics](https://remic.dk/news/rayeandremic/) ## Products - [REMIC P6110 DUAL Microphone Kit for Upright and Grand Piano](https://remic.dk/shop/piano-and-grand-piano-microphones/remic-p6110-dual-microphone-kit-for-upright-and-grand-piano/): Designed for studio and live productions\. The microphone kit consists of 2 microphones with high definition condenser elements with magnetic mounts\. These mounts keep the microphones firmly in place\. The P6110 DUAL piano microphone kit captures the sound of the piano with clarity and definition\. This design ensures the experience of the piano as a single sound source, both in the recorded version and the amplified version\. P6110 DUAL kit is primarily tuned for live performances with bleed reduction and freedom to sound shaping by reverb to achieve an authentic sound performance\. - [REMIC P6110 TRIPLE Kit Microphones for Grand Piano](https://remic.dk/shop/piano-and-grand-piano-microphones/remic-p6110-triple-kit-microphones-for-grand-piano/): Designed for studio and live productions\. The microphone kit consists of 3 microphones with high definition condenser elements with magnetic mounts\. These mounts keep the microphones firmly in place\. The REMIC P6110 TRIPLE grand piano microphone kit captures the sound of the piano with clarity and definition\. This design ensures the experience of the piano as a single sound source, both in the recorded version and the amplified version\. P6110 TRIPLE kit is primarily tuned for live performances with bleed reduction and freedom to sound shaping by reverb to achieve an authentic sound performance\. - [BR7000 Mount for Brass Instruments](https://remic.dk/shop/accessories/studio-mounts/br7000-mount-for-brass-instruments/): \BR7000 Mount for Brass Instruments\ The BR7000 mount for brass instruments is designed for use with REMIC 8\.5mm\(1/3"\) small formfactor microphones\. Made of black natural rubber, it is durable and easy to place on the bell of any instrument from the brass instrument family such as trumpet, french horn, flugel horn, cornet, sax horn, tuba, trombone, tenor horn, baritone horn, euphonium as well as the saxophone from the woodwinds instrument family\. \ \Fast and easy mounting and unmounting\ \Consistent sound due to fixed angle of the microphone\ \Durable natural rubber material\ \ \What is in the Box?\ 2 x BR7000 Brass Mount \Material:\ Natural black rubber - [REMIC D5400 LB/WLM Live Double Bass Microphone for Wireless Systems](https://remic.dk/shop/wireless/remic-d5400-lb-wlm-double-bass-microphone/): The D5400 LB/WLM Double Bass microphone is designed for close miking in loud live performances and delivers the true sound of the instrument with an extreme accuracy and fast transient response that captures the finest and most delicate overtones of the instrument\. Typical use is Folk\-rock, Pop, Rock and Metal performances where high gain before feedback is needed with high suppression of neighbour instruments and ambient noise\. D5400 LB/WLM features a non intrusive rubber mount with acoustic foam and allows a fixed and well defined location on the instrument, making it easy to reproduce a consistent mounting\. This D5400 LB/WLM is designed for double basses with 80 mm space underneath the fingerboard\. Since there are no clamps and clips in order to mount and hold the microphone, you will retain the aesthetic appearance of your instrument as well as doing no harm to valuable instruments\. The sound response of the LB models is true to the instrument due to their high ambient suppression factor in comparison to the Studio models, which inherently pick up the room reverberation\. LB models can be sound shaped using reverberation engines\. The D5400 LB/WLM double bass microphone enables you to gain maximum flexibility to move around on stage during live productions as it is configured to tap into a wireless transmitter instead of being wired\. In order to connect to the wireless transmitters, you need to purchase the correct adaptor that lets you connect to a wireless transmitter system\. \ \Ultra small formfactor\ \Omni\-spherical suppression\ \Sensitivity \-44 dB\ \Max SPL 110 dB\ \For wireless systems\ \ \\Remember to buy an adapter for the appropriate connection\.\\ - [REMIC V5200 LB/WLM Violin/Viola \- Live Mic\. for Wired and Wireless Systems](https://remic.dk/shop/wireless/remic-v5200-lb-wlm-multi-live-wireless-microphone-for-violin-viola/): \V5200 LB/WLM for Violin/Viola – Loud Live Productions\ The REMIC V5200 LB/WLM supplyed with a TA5M connector allows you to connect the REMIC microphone via a variety of adapters to selected SHURE and SENNHEISER wireless transmitters which enables you to gain maximum flexibility to move around on stage in extremely loud live productions\. Due to the fact that most beltpack wireless transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC microphones have been designed to support wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt\. The \V5200 LB/WLM\ is based on the same principle as the V5200 LB live model, but is supplied with a different connector \- the TA5M multi connector, which allows you to connect your V5200LB/WLM microphone to a variety of adapters for Shure and Sennheiser wireless systems as well as the standard XLR\. In order to connect to the wireless transmitters, you need to purchase the correct adaptor that lets you connect to one of the following wireless transmitter systems: \REMIC ADAPTERS AND SUPPORTED WIRELESS SYSTEMS:\ \RAD 001\ \| adapter for XLR 48 volt phantom, REMIC studio/live models \RAD 001LB\ \(adapter for XLR 48 volt phantom, REMIC live extreme models\) \RAD 003\ \| TRS 3\.5 connector For Remic studio/live and Live mic to Sennheiser EW\-series\. SK100G3/G4, SK300G3/G4, SK500G3/G4, Transmitter module 3\.5 TRS w/screw lock connector\. \RAD 006\ \| TA4 connector For Remic studio/live and Live to SHURE with TA4F connector\. FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M, AD1\) Transmitter module with TA4M connector\. \RAD 010\ \| LEMO\-3 connector For Remic studio/live and live microphones to SHURE \(UR1M, AD1\) and SENNHEISER \(SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000\) Transmitter modules with LEMO3 connector\. Please note that some dynamic non\-linearities will occur when using wireless systems in comparison to a wired solution\. \MORE ABOUT THE "LB/WLM" MODEL:\ The LB/WLM microphone model is based on the same principle as the normal LB model only with a different connector and designed to support wireless transmitters with unbalanced input circuits and a BIAS voltage of 3 to 8 volt \(instead of 48 volt\)\. It delivers a natural, but more "dry" and "woodish" sound response in comparison to the "Studio/Live" model\. The "LB/WLM" model represents the highest suppression of ambient sound sources ever achieved by a condenser microphone\. So if you need a microphone with low acoustic feedback response, the \V5200 LB/WLM\ is the answer\. At the same time the microphone will maintain the aesthetic appearance of the instrument towards your audience, since there are no clamps and clips in order to mount and hold the microphone, you also retain a full and undisturbed view of the fretboard\. This model is designed for "extremely loud" live performances, such as folk\-rock, pop, rock and metal\. Astonishing high gain before feedback\. Extreme suppression of neighbor instruments and ambient noise\. Please note that the sound response of the "LB/WLM" models are more "dry" and "woodish" in comparison to the "Studio/Live" models, due to their high ambient suppression factor, but can easily be EQed for best results\. \With Built\-In Windshield\ All microphones for strings have a built\-in windshield, which is designed to drastically reduce wind noise in open air performances\. The windshield is placed inside the microphone and is therefore invisible and non\-removable\. With the built\-in windshield, you do not need to add any other windshields to your microphone\. The built\-in windshield does not change the quality of the microphone or sound quality in general\.   \ \\BEST FEEDBACK SUPPRESSION\\ \\BEST SOUND QUALITY\\ \\BEST INNOVATIVE MOUNT\\ \\\DOWNLOAD PD for REMIC V5200LB/WLM\\\ \\\WATCH PLACEMENT VIDEO\\\ \\\HOW IT WORKS\\\ \ \FOR WIRELESS SOLUTIONS\ \\Remember to buy an adapter too, if connections other than TA5M is needed\\ ## Popup Themes - [Default Theme](https://remic.dk/?post_type=popup_theme&p=5797) - [Light Box](https://remic.dk/?post_type=popup_theme&p=5798) - [Enterprise Blue](https://remic.dk/?post_type=popup_theme&p=5799) - [Hello Box](https://remic.dk/?post_type=popup_theme&p=5800) - [Cutting Edge](https://remic.dk/?post_type=popup_theme&p=5801) ## Portfolio - [Max Raabe \& Palast Orchester](https://remic.dk/portfolio/max-raabe/) - [Aske Drasbæk](https://remic.dk/portfolio/aske/) - [Roger Valerioti](https://remic.dk/portfolio/roger-valerioti/) - [Ana Carla Maza](https://remic.dk/portfolio/ana-carla-maza/) - [Colorado Symphony Orchestra](https://remic.dk/portfolio/colorado-symphony-orchestra-2/) ## Tags - [REMIC V5200 Violin Microphone](https://remic.dk/news/tag/remic-v5200-violin-microphone/) - [REMIC C5300 Cello Microphone](https://remic.dk/news/tag/remic-c5300-cello-microphone/) - [REMIC D5400 double bass microphones](https://remic.dk/news/tag/remic-d5400-double-bass-microphones/) - [violin microphone](https://remic.dk/news/tag/violin-microphone/) - [studio recording](https://remic.dk/news/tag/studio-recording/) ## Product categories - [Microphones for Wireless Systems](https://remic.dk/product-category/wireless/) - [LB Live Microphones](https://remic.dk/product-category/lb-live-microphones/) - [Double Bass Microphones](https://remic.dk/product-category/double-bass/) - [Adapters](https://remic.dk/product-category/wirelessadaptor/) - [Violin Microphones](https://remic.dk/product-category/violin-microphones/) ## Portfolio Categories - [Brass \& Woodwind](https://remic.dk/portfolio/category/brass-woodwind/) - [Piano](https://remic.dk/portfolio/category/piano/) - [Bass](https://remic.dk/portfolio/category/bass/) - [Cello](https://remic.dk/portfolio/category/cello/) - [INSTRUMENT](https://remic.dk/portfolio/category/instrument/) ## Optional - [Sitemap index](https://remic.dk/sitemap_index.xml)