REVIEW from Bob Thomas at Sound On Sound magazine
REVIEW from Bob Thomas at Sound On Sound magazine “Overall, I was very impressed by [...]
Sep
INTERVIEW: Aric Christensen, Head of Audio, Colorado Symphony
In-Depth Interview with Aric Christensen about the Selection of REMIC LB Live models for the [...]
Jun
REMIC RESHAPE: THE NEW PRODUCT SERIES
PRESS RELEASE: REMIC MICROPHONES Unveils its highly anticipated new Product Series: REMIC RESHAPE Copenhagen, 15 [...]
May
How to record a Saxophone
The GROVER NOTTING Band® Reference Album Recording the Saxophone Section Article by Frank Hinton. Read [...]
Mar
Interview with Marc Urselli about the REMIC P6100 TRIPLE Kit Piano Microphones
In-Depth Interview with Engineer/Producer Marc Urselli about the REMIC P6100 TRIPLE Kit Piano Microphones New [...]
May
How to work with Spot Delay when miking a Grand Piano
How to work with Spot Delay when miking a Grand Piano – A special note [...]
Apr
Recording Natural Instruments for 3D and Object Based Purposes
Recording natural Instruments for 3D and Object based Purpose Article by Gregor Zielinsky. Read more on Gregor’s profile [...]
Dec
How to mic a Double Bass
How to mic an Upright Bass (also called Double Bass) Article by Gregor Zielinsky. Read more on Gregor’s [...]
Dec